Visiting Sleeping Beauties: Reawakening Fashion? You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early.

Learn more
ticketsMember | Make a donation
Search

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 79 results for Giovanni Ambrogio de Predis
Sort By:
Bianca Maria Sforza
Giovanni Ambrogio de Predis
probably 1493
Maximilian I
Giovanni Ambrogio de Predis
1502
Massimiliano Sforza, from A Treatise on Latin Grammar by Aelius Donatus (La Grammatica del Donato)
Giovanni Ambrogio de Predis
ca. 1496–99
The Blessed Ambrogio Sansedoni (1220–1286)
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1447–65
Bianca Maria Sforza (Wife of Maximillian I)
Samuel Arlent Edwards
1914
Portrait of a Lady (once called Beatrice d'Este)
Samuel Arlent Edwards
1905 (?)
Saint Catherine of Siena Exchanging Her Heart with Christ
Giovanni di Paolo (Giovanni di Paolo di Grazia)
The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445
The Birth of the Virgin
Fra Carnevale (Bartolomeo di Giovanni Corradini)
1467
Plate 4 depicting the trades of Rome, here including vendors of shrimps, Spanish olives, herbs etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 3 depicting the trades of Rome, here including vendors of flowers, chairs, basil etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Studies for Apollo and Daphne, Zeus and Juno, Orpheus and Eurydice and other figures (recto and verso)
Giovanni Ambrogio Figino
n.d.
Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation
Spinello Aretino (Spinello di Luca Spinelli)
ca. 1395–1400
Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445
The Blessed Andrea Gallerani (died 1251)
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1447–65
Nude Demon Encircled by a Serpent, after Michelangelo's Last Judgment; and Other Figure Studies (recto); Figure Studies (verso)
Giovanni Ambrogio Figino
1548–1608
Baths of Agrippa, from "Speculum Romanae Magnificentiae"
Giovanni Ambrogio Brambilla
1583
Esequie Reali alla Catt. Maesta del Re Filippo IV Celebrate in Milano alli 17 Decembre 1665.
Giovanni Battista Barella
1665
Audience given by Pope Pius V to Cosimo I, Duke of Tuscany
Giovanni Ambrogio Brambilla
1575–99
The Last Judgment, after Giacomo Vivio dell'Aquila's sculpted model of Michelangelo's fresco
Giovanni Ambrogio Brambilla
1589
Old Italian Masters, I, Engraved by Timothy Cole, Japan Proofs
Timothy Cole
1892
The Mystic Marriage of Saint Catherine of Siena
Giovanni di Paolo (Giovanni di Paolo di Grazia)
The Miraculous Communion of Saint Catherine of Siena
Giovanni di Paolo (Giovanni di Paolo di Grazia)
View of the Tiber Island represented as a ship, the Temple of Aesculapius at left
Giovanni Ambrogio Brambilla
1582
The firework display called 'Girandola' at the Castello Sant'Angelo in Rome, a nocturnal scene with fireworks issuing from the castle and a crowd of spectators in the foreground
Giovanni Ambrogio Brambilla
1579
Temples on the Isle of Tiber, from "Speculum Romanae Magnificentiae"
Giovanni Ambrogio Brambilla
1582
Circus Maximus, from "Speculum Romanae Magnificentiae"
Giovanni Ambrogio Brambilla
1581
Papal Benediction, from "Speculum Romanae Magnificentiae"
Giovanni Ambrogio Brambilla
late 16th century
The Girandola at the Castel Sant'Angelo, Rome, from "Speculum Romanae Magnificentiae"
Giovanni Ambrogio Brambilla
1579
Title and plate 1 depicting the cries (trades) of Rome, here including vendors of goldfish, Milanese swords, hats etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
The Gesù, Rome, from "Speculum Romanae Magnificentiae"
Giovanni Ambrogio Brambilla
1589
Plate 5 (second group) depicting the trades of Rome, here including vendors of coal, cheese, tripe etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 10 depicting the trades of Rome, here including vendors of medicine of an upset stomach, artichokes, tripe etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Unnumbered plate depicting the trades of Rome, here including vendors of religious images, herbs, pigs, socks, bellows, milk, etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Unnumbered plate depicting the trades of Rome, here including vendors of garlic, ravioli, canisters etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Unnumbered plate depicting the trades of Rome, here including vendors of kitchen pots, garden stakes, cups etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 2 depicting the trades of Rome, here including vendors of fish, sieves, candles etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 8 depicting the trades of Rome,here including vendors of coral, images, lemons etc., from the "Descrición de las artes que se llaman para los calles de la ciudad de Roma"
Remondini
ca. 1770–1800
Plate 4 (second group) depicting the trades of Rome, here including vendors of mushrooms, strong oil, keys, candlesticks etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800
Plate 7 depicting the trades of Rome, here including vendors of books, chestnuts, portraits etc, from the 'Descrición de las artes que se llaman para los calles de la ciudad de Roma'
Remondini
ca. 1770–1800